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Mothers and Daughters
My mother has been my muse. There's no other way to say it. Every
book I have written circles back to a central preoccupation and
concern with mothers, or mothers and daughters. I find mothers in the
hidden, silenced story of an eating disorder, in the invitations and
impediments to women's spiritual and psychological development, in our
story-telling, in the rhythms of our poetry, in the evolution of
feminism, in our own history and political thought.
When I am writing my mother leans over my shoulder, frowning.
She's hard to please, hard to describe or account for, but she's
always there. I have finally learned to welcome her presence and build
my written work around her.
With my daughter, a whole new type of relationship has developed,
perhaps because we are so much closer in age. My mother was 40 when
I was born, I was 23 when I gave birth to my daughter. I wanted a
daughter, I couldn't imagine raising a son, sometimes since her birth I
have thought that I wanted to have my own childhood back, to do it over
and make it come out better. When I was pregnant, I had two favorite
fantasies of life with my daughter. I imagined playing with her on the
grass, rolling over and over and down hill. And I planned to take her
to cultural events, all the things I loved best myself: to the opera,
ballet, museum, art movies. What I imagined, I think, was myself as
my own older sister, and my daughter Larissa as my child self reborn
to a happier circumstance. We would be playmates, comrades, buddies,
pals, companions. It didn't occur to me back then that this fantasy,
if fulfilled, would deprive my daughter of a mother.
I have written about my daughter almost as often as I have written
about my mother.
[In My Mother's House,
Crossing the Border,
My Life as a Boy,
The Woman Who Gave Birth to Her Mother]
Still, I would not call my daughter my muse. She appears in my stories
as a young person with whom I am learning about life, learning to love, to
be consistent, learning a great deal from her about honesty and fairness.
They are also stories in which I am passing on to her, in exactly the way
I had intended not to do, some of the harsher sorrows of my own childhood:
loss, abandonment, dark moods, angers and depressions.
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